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"В то время, когда не было ни земли, ни неба, только одно синее море - среди этого моря стояло два дуба, а на дубах сидели два голуба; голуби спустились на дно моря, достали песка и камня, из которых и создались земля, небо и небесные светила". Мифологический сюжет, отраженный в этой старинной колядке, существовал еще в эпоху скифов: на бронзовом рельефе из скифского кургана есть и дерево с птицами, и солнце, и луна. Подобные сюжеты можно найти и на украинских вышитых полотенцах вплоть до начала XX века.

Subsequently, with the introduction of the Christian religion as a state religion in Russia (the so-called "baptism of Russia"), the rite of caroling was adapted to the celebration of Christmas. Priests and monks created new religious carols with biblical images, which also gained great popularity among the people. Prominent composers undertook the processing and restoration of carols: Mykola Lysenko, Stanislav Lyudkevich, and others. In carols, according to tradition, all members of the family were honored: the master, the mistress, the boyfriend, the girlfriend. The caroling was combined with a corresponding theatrical performance, dances, and music. They caroled in groups, having previously distributed responsibilities: chieftain "birch", "star", "mihonosha" and "ryajeni". Metropolitan Vasyl Lypkivskyi described Christmas carols as follows in his Christmas sermon "The Meaning of Christmas Carols":

After they sat down at the table, the father would throw a corner to the ceiling, watching how many grains of wheat would stick to that ceiling. That is, the more wheat sticks, the more abundance there will be. Then, everyone had to eat three spoons of kuti - for the apiary, for the chickens to be born, for the grain to be abundant.